Public projection mapping performance by the macula. Explores notions of light within spiritual paradigms, such as the Bible’s creation tale in Genesis.
An example of where ‘the real and the virtual meet each other’ (Giannachi 2004: 95); the meeting-point of real and representation.
Khôra explores notions of form/void, light/dark, which manifest in a mixed-reality projection performance that breathes a multitude of spatial and temporal complexity to a historical building. Interesting how hybrid time and mixed-reality further complicate what is left of the past in the building today.
GIANNACHI, G. (2004) Virtual Theatres: An Introduction. London: Routledge.
throughthehypersurface 